Obrazový materiál k přednášce postinternet
001a Marisa Olson, We Make Money Not Art, wmmnalogo, 2018, internetové umění už nemůže být vymezeno jen internetem nebo počítači, ale lze jej identifikovat jako jakýkoli typ umění, který je ovlivněn internetem.png
002b Marisa Olson, Fools Gold, 2015.jpg
002c Marisa Olson, WellWellWell, 2018.jpg
003a Guthrie Lonergan, Marisa Olson, et al, Nasty Net, 2006-2012 – a collaborative blog created to share media artifacts found while exploring the internet, along with original compositions and collages.jpg
003b Guthrie Lonergan, internet aware art, 2008.jpg
003c Guthrie Lonergan, Lonely Los Angeles, 2005 Webpage.jpg
003d Guthrie Lonergan, 2006 Install.jpg
003e Guthrie Lonergan 2006 Install.jpg
004 Gene McHugh, Post Internet, 2009–2010. Screenshot, 2018, internet již není novinkou, ale banalitou.png
005a Artie Vierkant, Image Objects, 2010.png
005b Artie Vierkant, Image Objects, 2011 – ongoing, prints on aluminum composite panel, altered documentation images.jpg
005c Artie Vierkant, Image Objects, NG-MARCO-Time-Machine-Each piece begins its life as a digital file, of which countless variations exist..jpg
005d Artie Vierkant, Image Objects, 2011- Image Objects are a series of works which exist somewhere between physical sculptures and altered documentation images..jpg
005e Artie Vierkant, Image Objects, These are then rendered as UV prints on dibond and precision-cut to the form of the piece to create photographic prints with the depth and presence of a sculpture..jpg
005f Jennifer Chan.png
005g Jennifer Chan. Tralier for the exhibition Young Money (Future Gallery, 2012)..jpg
006a Katja Novitskova et al. Post Internet Survival Guide, 2010.jpg
006a Katja Novitskova et al. Post Internet Survival Guide, 2010guide to the ecology of a severe ongoing merging of matter, social and (visual) information in the present world.jpg
006b Katja Novitskova et al. Post Internet Survival Guide, 2010, FORMATS, Brakke Grond, Amsterdam.jpg
006c Katja Novitskova, Post Internet Survival Guide.jpg
006d Katja Novitskova, Pattern of Activation, 2014, Art Basel.jpg
006f Katja Novitskova, Pattern of Activation, Migros Museum, Zürich 2020, Potential_Worlds_1_Novitskova_ (1) (1).jpg
006f Katja Novitskova,.jpg
007a Hito Steyerl, Too Much World Is the Internet Dead, 2013, obrazy jsou editované, nástroje pro vytvářené obrazů se staly nástroji pro vytváření světa.png
007b Hito Steyerl, HOW NOT TO BE SEEN. A Fucking Didactic Educational .MOV File, 2013, video still.jpeg
007c Rafaël Rozendaal,100 websites! That’s it, I’ve published 100 websites.png
007d Rafaël Rozendaal, movingdriving-700.png
007e Rafaël Rozendaal, onlysuddenly-700.png
007f Rafaël Rozendaal, foldinto.png
007g Rafaël Rozendaal, Abstract-Browsing-20-06-02-Cnet.jpg
007h Rafaël Rozendaal, Abstract-Browsing-20-06-01-Google-Search.jpg
007i Random Fear with Mirrors, 2019-troubleinparadise-kunsthal-01,.jpg
008a DIS is a collaborative project based in New York. It was founded in 2010 by Lauren Boyle, Solomon Chase, Marco Roso, David Toro, Nick Scholl, Patrik Sandberg and Samuel Adrian Massey, and publishes DIS Mag.jpg
008b DIS is a post-Internet lifestyle magazine about art, fashion and commerce, art-school-issue-feature.jpg
008b DISimages, Katja Novitskova.jpg
008c Josh Kline,DIS Image, 2013 was an agency and web platform that commissioned and licensed artist-made images for use in advertising or publishing.jpg
008d DISimages, Dora Budor.jpg
008e Timur Si-Qin, In Front The Struggle, 2012, DIS Competing Images, 2012.jpg
008f DIS - pozice reflektující pohyb mladé generace mezi prací v kreativním průmyslu a „volným“ uměním či mezi současným teoretickým myšlením a tématy vyskytujícími se v populární a masové kultuře..jpg
008g DIS - pozice reflektující pohyb mladé generace mezi prací v kreativním průmyslu a „volným“ uměním či mezi současným teoretickým myšlením a tématy vyskytujícími se v populární a masové kultuře.jpg
008i dis-curatorial-team-of-the-9th-berlin-biennale-for-contemporary-art-photo-sabine-reitmaier-2247px.jpg
008j The show brings together many artists with whom DIS has worked before..jpg
008j.png
008k bb9_logo, The Present in Drag - exhibition’s title, with its reference to the opulent performativity of drag culture.jpg
008l BB9_Debora_DelmarVisitors can relax in Delmar’s juice bar on upcycled eco furniture, surrounded by celebrity green juice paparazzi photos, and a sculptural installation of matcha and wheat-grass infused.jpg
008m BB9Jon Rafman,The Swallower Swallowed, a View of Pariser Platz, 2016, výhled odpovídá tomu bez brýlí. Pak se však vše mění, nejdřív ožijí sochy a následně se stáváte svědky apokalyptické události.jpg
008n BB9Simon Fujiwara, The Happy Museum, 2016, ve spolupráci s Danielem Fujiwarou, artefakty reprezentující výzkum toho, co činí šťastnými dnešní Berlíňany, počínaje dveřmi do erotického salónu a konče různými.jpg
008o BB9 Simon Denny a Linda Kantchev, Blockchain Visionaries, 2016.jpg
008p BB9 Hito Steyerl, ExtraSpaceCraft, 2016, fiktivní příběh o kosmické základně natočený za pomoci kurdských kameramanů pracujících s drony..jpg
008q BB9 Installation view of Cécile B. Evans’s What the Heart Wants (2016) about a near-future where technology has changed the very fabric of what it means to be human..jpg
008r BB9 Christopher Kulendran Thomas, New Eelam, 2016 pojetí národní příslušnosti jako značky je nastíněno v promovideu prezentovaném v hybridním interiéru na pomezí mezi showroomem a ukázkovým obývákem.jpg
008s BB9 Christopher Kulendran Thomas, New Eelam, 2016, Thomas vytváří značku fiktivního státu New Eelam a vytváří spekulativní model fluidní příslušnosti, která vychází z koncepce postnárodního uspořádání.jpg
009a -Just as modernism concerns itself with the relationship between craft and the emerging technologies, the most important phenomena underlying contemporary culture may be the omnipresence of the Internet.jpg
009b Art Post-Internet, March 1 – May 11, 2014, Ullens Center of Contemporary Art, Peking, China (2).jpg
009c Art Post-Internet, March 1 – May 11, 2014, Ullens Center of Contemporary Art, Peking, China.jpg
009d_art-post-internet.jpg
010a alisa baremboym taipei-biennial 2014.jpg
010b alisa baremboym taipei-biennial 2014 hidralink-systems.jpg
010c alisa baremboym, 2014 amphicense-systems.jpg
010d alisa baremboym, 2014 parasorbal-systems.jpg
011 Dara Birnbaum, Computer Assisted Drawings_Proposal for Sony Corporation, 1992–1993, 16 drawings, plexiglass and custom aluminum frames.jpg
012 Harm Van Den Dorpel - Detolf, 2010.jpg
012 Harm Van Den Dorpel - Sol, 2009, Charles Broskoski - ABACAB, 2010.jpg
013a Bernadette_Corp_screen-shot-2013-02-19-at-12-41-01-pm.png
013b Bernadette Corporation je kolektiv umění a módy v New Yorku a v Paříži, založený v roce 1994. Mezi hlavní členy patří Bernadette van Huy, John Kelsey a Antek Walzcak.jpg
013c Bernadette_Corp_2000 Wasted Years’, 2012, installation views.jpg
013d Bernadette_Corp (2).jpg
013e Bernadette_Corp_mock incorporation and ambiguous branding strategies suggesting a slipperiness of intent that developed between 1995 and 1997 into a women’s fashion line..jpg
014a Cory Arcangel, All The Small Things, 2014, He is the youngest artist since Bruce Nauman to have been given a full floor solo exhibition at the Whitney Museum of American Art, New York (2011).jpg
014b Cory Arcangel, Colors, 2006, projection from a digital source.jpg
014d Cory Arcangel, Research in Motion (Kinetic Sculpture 6), 2011, Modified silver dancing stands, Dimensions variable, approx 1.82 (h) x 5.5 (w) x 3.6 (d) m.jpg
014e Cory Arcangel, Super Mario Clouds (2002-), he disabled the vintage Nintendo game to leave only the iconic backdrop of blue sky and clouds.jpg
015 Juliette Bonneviot - Jeune fille minimale, 2013.jpg
015 Juliette Bonneviot , XenoEstrogens, installation view at Autocenter, Berlin, 2015..jpg
015 Juliette Bonneviot ,XenoEstrogens, installation view at Autocenter, Berlin, 2015.jpg
015 Juliette Bonneviot (2).jpg
015 Juliette Bonneviot (3).jpg
015 Juliette Bonneviot (4).jpg
015 Juliette Bonneviot (5).jpg
015 Juliette Bonneviot (6).jpg
015 Juliette Bonneviot Earth-Coloured Xenoestrogens, 2015_Flaxseeds and sesame seeds. These plants produce a xenohormone, as a defense against the overpopulation of herbivorous animals..jpg
015 Juliette Bonneviot.jpg
016a Josh Kline, Quality of Life installation view, 2013, NYC his first solo exhibition, directly follows his having organized this summer’s high-profile Pro-Bio group show at MoMA PS1.jpg
016bJosh Kline_Forever 27, 2013, Kurt Cobain, sculpture with video, plexiglass, LED lights, MDF, plywood, HD television, media player, 16 min HD videomock-television documentary interviews with the dead singers.jpg
016c Josh Kline_Forever 48, 2013, Whitney Houston, sculpture with video, plexiglass, LED lights, MDF, plywood, HD television, media player, SD card, 16 min HD video.jpg
016d Josh Kline_Energy Drip, 2013, IV Bag, Redbull, Yerba Mate, Emergen-C, sugar, spirulina, Provigil, gasoline, lightbox column (plexiglas, LEDs, wood).jpg
016e Josh Kline_Energy Drip, 2013, present day lifestyle economy’s obsession with youth to offer a vision of prosthetically-enhanced young creatives.jpg
016f Josh Kline_Sleep is for the Weak, 2011, three cafetières filled with Red Bull, DayQuil, Coke Zero, Vivarin, Dentyne Ice chewing gum and Ibuprofen.jpg
016f Josh Kline_Think Strong, 2013 (Detail).jpg
016g Josh Kline_Think Strong, 2013, Blood doped with Welbutrin, cast-urethane, refrigeration elements, lightbox pedestal (fluorescent lights, wood, plexi).jpg
016h Josh-Kline_Creative Hands_Fridericianum-Speculations on Anonymous Materials, 2013-14.jpg
016i Josh-Kline_Creative-Hands 2011. 13 pigmented silicone hands on commercial shelving with LED lights from top to bottom, left to right Photograher’s Hand with Digital Camera.jpg
017a kari-altmann, xomia-2015--install-005-with-models-665.jpg
017b kari-altmann, xomia-2015-kari-altmann-install-010-cellphone-1000.jpg
017c kari-altmann, xomia-2015-kari-altmann-install-007XOMIA (Return Home, Realflow, All Terrain) 2015 Photographed in natural light by Kari Altmann.jpg
017d kari-altmann, xomia-2015-kari-altmann-install-001.jpg
017e kari-altmann, xomia-2015-kari-altmann-install-013-1000.jpg
017f Kari-Altmann-Insignia-Soft-Brand-Abstracts-Floor-Models-2014.-Image-courtesy-the-artist..jpg
017g Kari-Altmann-Resting-Point-Native-Arrangement-2013-ongoing.-Image-courtesy-the-artist..jpg
018 Ed Fornieles (2).jpg
018 Ed Fornieles_Modern Family skews the material logic of home improvement, sitcom architecture and the shopping mall, taking us on a journey to a distant yet familiar suburban land.jpg
018 Ed Fornieles, vyjádření interakce rodiny, vztahů, populárních memů, jazyka a subkultur 21. století film, platformy sociálních médií, sochařství, instalaci.jpg
019a Jon Rafman, 9-eyes, 2013–současnost, Strada Provinciale 1 Bonifica del Tronto, Controguerra Teramo, Italia, 2011.jpg
019b Jon Rafman, 9-eyes, 2013–současnost-Eilean-Siar-United-Kingdom-2011.jpg
019c Jon Rafman, New Age Demanded (Flapface Bronze), 2014 3D print.jpg
019d Jon Rafman, New Age Demanded (Futurismo Chrome), 2014.jpg
019e Jon Rafman, $toned $andra Rafman testing “View of Pariser Platz” by $on Jon Rafman, 2018.png
020 Ryan Trecartin, P.opular S.ky (section ish), 2009.jpg
020a Petra Cortright, VVEBCAM, 2007, The lo-fi aesthetics the artist stares intently into a webcam as cartoonish clip art figures float around her face.jpg
020b Petra Cortright, Pink_Para_1stchoice, Times Square, NYC, May 1 – May 31, 2019, Cortright’s core practice is the creation and distribution of digital and physical images using consumer or corporate software.jpg
020c Cortright performs a fragmented self-portrait, playing with the relationship between the computer screen and voyeurism, and the Internet’s effect on how we perceive subjectivity.jpg
020d “We are pleased to partner with Times Square Arts to further recontextualize Cortright’s webcam work beyond the YouTube platform as part of the Midnight Moment series.”, Michael Connor, Artistic Director.jpg
021a Signe Pierce, American Reflexxx, 2015, a piece about dehumanization, mob mentality, or violence.jpg
021b Signe-Pierce-and-Alli-Coates-American-Reflexxx-Video-Still-Courtesy-The-Artists-c.jpg
021c Signe-Pierce-and-Alli-Coates-American-Reflexxx-Video-Still-Courtesy-The-Artists.jpg