Obrazový materiál k přednášce postinternet
- 001a Marisa Olson, We Make Money Not Art, wmmnalogo, 2018, internetové umění už nemůže být vymezeno jen internetem nebo počítači, ale lze jej identifikovat jako jakýkoli typ umění, který je ovlivněn internetem.png
- 002b Marisa Olson, Fools Gold, 2015.jpg
- 002c Marisa Olson, WellWellWell, 2018.jpg
- 003a Guthrie Lonergan, Marisa Olson, et al, Nasty Net, 2006-2012 – a collaborative blog created to share media artifacts found while exploring the internet, along with original compositions and collages.jpg
- 003b Guthrie Lonergan, internet aware art, 2008.jpg
- 003c Guthrie Lonergan, Lonely Los Angeles, 2005 Webpage.jpg
- 003d Guthrie Lonergan, 2006 Install.jpg
- 003e Guthrie Lonergan 2006 Install.jpg
- 004 Gene McHugh, Post Internet, 2009–2010. Screenshot, 2018, internet již není novinkou, ale banalitou.png
- 005a Artie Vierkant, Image Objects, 2010.png
- 005b Artie Vierkant, Image Objects, 2011 – ongoing, prints on aluminum composite panel, altered documentation images.jpg
- 005c Artie Vierkant, Image Objects, NG-MARCO-Time-Machine-Each piece begins its life as a digital file, of which countless variations exist..jpg
- 005d Artie Vierkant, Image Objects, 2011- Image Objects are a series of works which exist somewhere between physical sculptures and altered documentation images..jpg
- 005e Artie Vierkant, Image Objects, These are then rendered as UV prints on dibond and precision-cut to the form of the piece to create photographic prints with the depth and presence of a sculpture..jpg
- 005f Jennifer Chan.png
- 005g Jennifer Chan. Tralier for the exhibition Young Money (Future Gallery, 2012)..jpg
- 006a Katja Novitskova et al. Post Internet Survival Guide, 2010.jpg
- 006a Katja Novitskova et al. Post Internet Survival Guide, 2010guide to the ecology of a severe ongoing merging of matter, social and (visual) information in the present world.jpg
- 006b Katja Novitskova et al. Post Internet Survival Guide, 2010, FORMATS, Brakke Grond, Amsterdam.jpg
- 006c Katja Novitskova, Post Internet Survival Guide.jpg
- 006d Katja Novitskova, Pattern of Activation, 2014, Art Basel.jpg
- 006f Katja Novitskova, Pattern of Activation, Migros Museum, Zürich 2020, Potential_Worlds_1_Novitskova_ (1) (1).jpg
- 006f Katja Novitskova,.jpg
- 007a Hito Steyerl, Too Much World Is the Internet Dead, 2013, obrazy jsou editované, nástroje pro vytvářené obrazů se staly nástroji pro vytváření světa.png
- 007b Hito Steyerl, HOW NOT TO BE SEEN. A Fucking Didactic Educational .MOV File, 2013, video still.jpeg
- 007c Rafaël Rozendaal,100 websites! That’s it, I’ve published 100 websites.png
- 007d Rafaël Rozendaal, movingdriving-700.png
- 007e Rafaël Rozendaal, onlysuddenly-700.png
- 007f Rafaël Rozendaal, foldinto.png
- 007g Rafaël Rozendaal, Abstract-Browsing-20-06-02-Cnet.jpg
- 007h Rafaël Rozendaal, Abstract-Browsing-20-06-01-Google-Search.jpg
- 007i Random Fear with Mirrors, 2019-troubleinparadise-kunsthal-01,.jpg
- 008a DIS is a collaborative project based in New York. It was founded in 2010 by Lauren Boyle, Solomon Chase, Marco Roso, David Toro, Nick Scholl, Patrik Sandberg and Samuel Adrian Massey, and publishes DIS Mag.jpg
- 008b DIS is a post-Internet lifestyle magazine about art, fashion and commerce, art-school-issue-feature.jpg
- 008b DISimages, Katja Novitskova.jpg
- 008c Josh Kline,DIS Image, 2013 was an agency and web platform that commissioned and licensed artist-made images for use in advertising or publishing.jpg
- 008d DISimages, Dora Budor.jpg
- 008e Timur Si-Qin, In Front The Struggle, 2012, DIS Competing Images, 2012.jpg
- 008f DIS - pozice reflektující pohyb mladé generace mezi prací v kreativním průmyslu a „volným“ uměním či mezi současným teoretickým myšlením a tématy vyskytujícími se v populární a masové kultuře..jpg
- 008g DIS - pozice reflektující pohyb mladé generace mezi prací v kreativním průmyslu a „volným“ uměním či mezi současným teoretickým myšlením a tématy vyskytujícími se v populární a masové kultuře.jpg
- 008i dis-curatorial-team-of-the-9th-berlin-biennale-for-contemporary-art-photo-sabine-reitmaier-2247px.jpg
- 008j The show brings together many artists with whom DIS has worked before..jpg
- 008j.png
- 008k bb9_logo, The Present in Drag - exhibition’s title, with its reference to the opulent performativity of drag culture.jpg
- 008l BB9_Debora_DelmarVisitors can relax in Delmar’s juice bar on upcycled eco furniture, surrounded by celebrity green juice paparazzi photos, and a sculptural installation of matcha and wheat-grass infused.jpg
- 008m BB9Jon Rafman,The Swallower Swallowed, a View of Pariser Platz, 2016, výhled odpovídá tomu bez brýlí. Pak se však vše mění, nejdřív ožijí sochy a následně se stáváte svědky apokalyptické události.jpg
- 008n BB9Simon Fujiwara, The Happy Museum, 2016, ve spolupráci s Danielem Fujiwarou, artefakty reprezentující výzkum toho, co činí šťastnými dnešní Berlíňany, počínaje dveřmi do erotického salónu a konče různými.jpg
- 008o BB9 Simon Denny a Linda Kantchev, Blockchain Visionaries, 2016.jpg
- 008p BB9 Hito Steyerl, ExtraSpaceCraft, 2016, fiktivní příběh o kosmické základně natočený za pomoci kurdských kameramanů pracujících s drony..jpg
- 008q BB9 Installation view of Cécile B. Evans’s What the Heart Wants (2016) about a near-future where technology has changed the very fabric of what it means to be human..jpg
- 008r BB9 Christopher Kulendran Thomas, New Eelam, 2016 pojetí národní příslušnosti jako značky je nastíněno v promovideu prezentovaném v hybridním interiéru na pomezí mezi showroomem a ukázkovým obývákem.jpg
- 008s BB9 Christopher Kulendran Thomas, New Eelam, 2016, Thomas vytváří značku fiktivního státu New Eelam a vytváří spekulativní model fluidní příslušnosti, která vychází z koncepce postnárodního uspořádání.jpg
- 009a -Just as modernism concerns itself with the relationship between craft and the emerging technologies, the most important phenomena underlying contemporary culture may be the omnipresence of the Internet.jpg
- 009b Art Post-Internet, March 1 – May 11, 2014, Ullens Center of Contemporary Art, Peking, China (2).jpg
- 009c Art Post-Internet, March 1 – May 11, 2014, Ullens Center of Contemporary Art, Peking, China.jpg
- 009d_art-post-internet.jpg
- 010a alisa baremboym taipei-biennial 2014.jpg
- 010b alisa baremboym taipei-biennial 2014 hidralink-systems.jpg
- 010c alisa baremboym, 2014 amphicense-systems.jpg
- 010d alisa baremboym, 2014 parasorbal-systems.jpg
- 011 Dara Birnbaum, Computer Assisted Drawings_Proposal for Sony Corporation, 1992–1993, 16 drawings, plexiglass and custom aluminum frames.jpg
- 012 Harm Van Den Dorpel - Detolf, 2010.jpg
- 012 Harm Van Den Dorpel - Sol, 2009, Charles Broskoski - ABACAB, 2010.jpg
- 013a Bernadette_Corp_screen-shot-2013-02-19-at-12-41-01-pm.png
- 013b Bernadette Corporation je kolektiv umění a módy v New Yorku a v Paříži, založený v roce 1994. Mezi hlavní členy patří Bernadette van Huy, John Kelsey a Antek Walzcak.jpg
- 013c Bernadette_Corp_2000 Wasted Years’, 2012, installation views.jpg
- 013d Bernadette_Corp (2).jpg
- 013e Bernadette_Corp_mock incorporation and ambiguous branding strategies suggesting a slipperiness of intent that developed between 1995 and 1997 into a women’s fashion line..jpg
- 014a Cory Arcangel, All The Small Things, 2014, He is the youngest artist since Bruce Nauman to have been given a full floor solo exhibition at the Whitney Museum of American Art, New York (2011).jpg
- 014b Cory Arcangel, Colors, 2006, projection from a digital source.jpg
- 014d Cory Arcangel, Research in Motion (Kinetic Sculpture 6), 2011, Modified silver dancing stands, Dimensions variable, approx 1.82 (h) x 5.5 (w) x 3.6 (d) m.jpg
- 014e Cory Arcangel, Super Mario Clouds (2002-), he disabled the vintage Nintendo game to leave only the iconic backdrop of blue sky and clouds.jpg
- 015 Juliette Bonneviot - Jeune fille minimale, 2013.jpg
- 015 Juliette Bonneviot , XenoEstrogens, installation view at Autocenter, Berlin, 2015..jpg
- 015 Juliette Bonneviot ,XenoEstrogens, installation view at Autocenter, Berlin, 2015.jpg
- 015 Juliette Bonneviot (2).jpg
- 015 Juliette Bonneviot (3).jpg
- 015 Juliette Bonneviot (4).jpg
- 015 Juliette Bonneviot (5).jpg
- 015 Juliette Bonneviot (6).jpg
- 015 Juliette Bonneviot Earth-Coloured Xenoestrogens, 2015_Flaxseeds and sesame seeds. These plants produce a xenohormone, as a defense against the overpopulation of herbivorous animals..jpg
- 015 Juliette Bonneviot.jpg
- 016a Josh Kline, Quality of Life installation view, 2013, NYC his first solo exhibition, directly follows his having organized this summer’s high-profile Pro-Bio group show at MoMA PS1.jpg
- 016bJosh Kline_Forever 27, 2013, Kurt Cobain, sculpture with video, plexiglass, LED lights, MDF, plywood, HD television, media player, 16 min HD videomock-television documentary interviews with the dead singers.jpg
- 016c Josh Kline_Forever 48, 2013, Whitney Houston, sculpture with video, plexiglass, LED lights, MDF, plywood, HD television, media player, SD card, 16 min HD video.jpg
- 016d Josh Kline_Energy Drip, 2013, IV Bag, Redbull, Yerba Mate, Emergen-C, sugar, spirulina, Provigil, gasoline, lightbox column (plexiglas, LEDs, wood).jpg
- 016e Josh Kline_Energy Drip, 2013, present day lifestyle economy’s obsession with youth to offer a vision of prosthetically-enhanced young creatives.jpg
- 016f Josh Kline_Sleep is for the Weak, 2011, three cafetières filled with Red Bull, DayQuil, Coke Zero, Vivarin, Dentyne Ice chewing gum and Ibuprofen.jpg
- 016f Josh Kline_Think Strong, 2013 (Detail).jpg
- 016g Josh Kline_Think Strong, 2013, Blood doped with Welbutrin, cast-urethane, refrigeration elements, lightbox pedestal (fluorescent lights, wood, plexi).jpg
- 016h Josh-Kline_Creative Hands_Fridericianum-Speculations on Anonymous Materials, 2013-14.jpg
- 016i Josh-Kline_Creative-Hands 2011. 13 pigmented silicone hands on commercial shelving with LED lights from top to bottom, left to right Photograher’s Hand with Digital Camera.jpg
- 017a kari-altmann, xomia-2015--install-005-with-models-665.jpg
- 017b kari-altmann, xomia-2015-kari-altmann-install-010-cellphone-1000.jpg
- 017c kari-altmann, xomia-2015-kari-altmann-install-007XOMIA (Return Home, Realflow, All Terrain) 2015 Photographed in natural light by Kari Altmann.jpg
- 017d kari-altmann, xomia-2015-kari-altmann-install-001.jpg
- 017e kari-altmann, xomia-2015-kari-altmann-install-013-1000.jpg
- 017f Kari-Altmann-Insignia-Soft-Brand-Abstracts-Floor-Models-2014.-Image-courtesy-the-artist..jpg
- 017g Kari-Altmann-Resting-Point-Native-Arrangement-2013-ongoing.-Image-courtesy-the-artist..jpg
- 018 Ed Fornieles (2).jpg
- 018 Ed Fornieles_Modern Family skews the material logic of home improvement, sitcom architecture and the shopping mall, taking us on a journey to a distant yet familiar suburban land.jpg
- 018 Ed Fornieles, vyjádření interakce rodiny, vztahů, populárních memů, jazyka a subkultur 21. století film, platformy sociálních médií, sochařství, instalaci.jpg
- 019a Jon Rafman, 9-eyes, 2013–současnost, Strada Provinciale 1 Bonifica del Tronto, Controguerra Teramo, Italia, 2011.jpg
- 019b Jon Rafman, 9-eyes, 2013–současnost-Eilean-Siar-United-Kingdom-2011.jpg
- 019c Jon Rafman, New Age Demanded (Flapface Bronze), 2014 3D print.jpg
- 019d Jon Rafman, New Age Demanded (Futurismo Chrome), 2014.jpg
- 019e Jon Rafman, $toned $andra Rafman testing “View of Pariser Platz” by $on Jon Rafman, 2018.png
- 020 Ryan Trecartin, P.opular S.ky (section ish), 2009.jpg
- 020a Petra Cortright, VVEBCAM, 2007, The lo-fi aesthetics the artist stares intently into a webcam as cartoonish clip art figures float around her face.jpg
- 020b Petra Cortright, Pink_Para_1stchoice, Times Square, NYC, May 1 – May 31, 2019, Cortright’s core practice is the creation and distribution of digital and physical images using consumer or corporate software.jpg
- 020c Cortright performs a fragmented self-portrait, playing with the relationship between the computer screen and voyeurism, and the Internet’s effect on how we perceive subjectivity.jpg
- 020d “We are pleased to partner with Times Square Arts to further recontextualize Cortright’s webcam work beyond the YouTube platform as part of the Midnight Moment series.”, Michael Connor, Artistic Director.jpg
- 021a Signe Pierce, American Reflexxx, 2015, a piece about dehumanization, mob mentality, or violence.jpg
- 021b Signe-Pierce-and-Alli-Coates-American-Reflexxx-Video-Still-Courtesy-The-Artists-c.jpg
- 021c Signe-Pierce-and-Alli-Coates-American-Reflexxx-Video-Still-Courtesy-The-Artists.jpg